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Captain James C. Harper created the Lenoir High School Band (1924-1977), which is a program to be remembered and honored for the major accomplishments and contributions to North Carolina high school bands.  One of the most notable accomplishments is of course the band’s 42 consecutive superior ratings at concert festival (now MPA).

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Based on the Lenoir High School Alma Mater, this piece presents a journey through time to celebrate the great Lenoir High School Band.  The opening of the work is set up to represent a book that has been closed for some time.  As the book is opened, a celebration of the Alma Mater is presented in a joyous representation of the band.  The middle section of the work represents the furniture factories that filled the town along with a hint of sadness of the loss of such a great program.  After a reflection of loss, everyone must remember and celebrate everything the band and its’ leaders accomplished.  The ending section of the piece includes some familiar tunes including the West Minster Chimes (used to open the L. H. S. Band concerts), Bearcats (L. H. S. fight song) and a final resolving statement of the Lenoir High School Alma Mater.  Remember the Bearcats!

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Premiered Thursday, November 7th, 2013 by the 'Spirit of Cox Mill" Symphonic Band

Concord, North Carolina

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Published by BKJ Publications and available at JW Pepper

Anthem for Winds and Percussion (Flexible Ensemble) Claude T. Smith/Arr. Earp
05:03

Anthem for Winds and Percussion (Flexible Ensemble) Claude T. Smith/Arr. Earp

Anthem for Winds and Percussion by Claude T. Smith Arranged for Flexible Ensemble by Joseph Benjamin Earp The original of this arrangement continues to be one of Claude T. Smith’s most performed works. The opening theme sparkles with rhythmic energy and harmonic structure that never grow old. The Andante section is a beautiful contrast to the main theme occurring in neighboring sections. This flexible arrangement allows ensembles to perform the work with as few as thirteen musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound. *The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score. https://barnhouse.com/product/cts-8059-00/
Symphonic Variations on Amazing Grace (Flexible Ensemble) Claude T. Smith/Arr. Earp
05:23

Symphonic Variations on Amazing Grace (Flexible Ensemble) Claude T. Smith/Arr. Earp

Symphonic Variations on Amazing Grace (Flexible Ensemble) by Claude T. Smith Arranged for Flexible Ensemble by Joseph Benjamin Earp Amazing Grace is one of the most well-known spiritual songs known to date. Claude T. Smith cleverly created this band setting forming variations throughout. With Smith’s passing in December of 1987, this was one of the final works he produced. This flexible arrangement allows ensembles to perform the work with as few as fourteen musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound. *The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score. https://barnhouse.com/product/cts-8044-00/
Greensleeves (Flexible Ensemble) Claude T. Smith/Arr. Earp
06:59

Greensleeves (Flexible Ensemble) Claude T. Smith/Arr. Earp

Greensleeves by Claude T. Smith Arranged for Flexible Ensemble by Joseph Benjamin Earp Grade: 4 Time: 6:58 Series: CTS Flexible Ensemble Series Brand: Claude T. Smith Publications, Inc. Year: 2022 “Greensleeves” dates to the 16th century as a traditional English folk song. Claude T. Smith created a masterful setting of this timeless classic providing many solo opportunities and melodic interest throughout all the sections of the band. The use of standard and contemporary harmonies gives the listener a wonderful experience. This flexible arrangement allows ensembles to perform the work with as few as thirteen musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound. *The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score. https://barnhouse.com/product/cts-8043-00/
Symphonic Variations on 'In Dulci Jubilo' (Flexible Ensemble) Claude T. Smith/Arr. Earp
05:25

Symphonic Variations on 'In Dulci Jubilo' (Flexible Ensemble) Claude T. Smith/Arr. Earp

Symphonic Variations on 'In Dulci Jubilo' by Claude T. Smith Arranged for Flexible Ensemble by Joseph Benjamin Earp “Symphonic Variations on In Dulci Jubilo” promotes joy and celebration. ‘In Dulci Jubilo’ is Latin for ‘in sweet rejoicing’. The lovely choral beginning features the familiar carol “Good Christian Men, Rejoice,” and forms the groundwork for this unique setting of this timeless traditional Christmas carol. This flexible arrangement allows ensembles to perform the work with as few as thirteen musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound. *The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score. https://barnhouse.com/product/cts-8041-00/
O Come, O Come, Emmanuel (Flexible Ensemble) Claude T. Smith/Arr. Earp
04:22

O Come, O Come, Emmanuel (Flexible Ensemble) Claude T. Smith/Arr. Earp

O Come, O Come, Emmanuel (A Christmas Prelude) by Claude T. Smith Arranged for Flexible Ensemble by Joseph Benjamin Earp “O Come, O Come, Emmanuel” is a Christmas prelude originally commissioned by the Papillion, Nebraska Junior High School Symphonic Band under the direction of Kenneth A. Molzer. This widely popular song relates to Advent and Christmas. Claude T. Smith expanded upon the original hymn adding deeper musical interest to this already timeless classic. This flexible arrangement allows ensembles to perform the work with as few as twelve musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound. *The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score. https://barnhouse.com/product/cts-8042-00/?
Symphonic Prelude on Adeste Fidelis (Flexible Ensemble) Claude T. Smith/Arr. Earp
03:09

Symphonic Prelude on Adeste Fidelis (Flexible Ensemble) Claude T. Smith/Arr. Earp

Symphonic Prelude on Adeste Fidelis (Flexible Ensemble) by Claude T. Smith Arranged for Flexible Ensemble by Joseph Benjamin Earp This late 19th century Christmas carol, also known as “O Come, All Ye Faithful”, is a traditional favorite. Claude T. Smith masterfully crafted his arrangement of this cherished carol to form a symphonic prelude that continually pleases the performers and audience alike. This flexible arrangement allows ensembles to perform the work with as few as thirteen musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound. *The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score. https://barnhouse.com/product/cts-8068-00/
Chorale and Allegro (Flexible Ensemble) Claude T. Smith/Arr. Earp
06:05

Chorale and Allegro (Flexible Ensemble) Claude T. Smith/Arr. Earp

Chorale and Allegro by Claude T. Smith Arranged for Flexible Ensemble by Joseph Benjamin Earp “Chorale and Allegro” captivates the imagination with a solemn chorale. As this lush chorale closes, the mood quickly transforms into an energetic allegro section filled with excitement throughout. Claude T. Smith concludes the composition with intertwines the ideas from the allegro section with portions of the opening chorale leading to an enthusiastic ending. This flexible arrangement allows ensembles to perform the work with as few as thirteen musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound. https://barnhouse.com/product/cts-8022-00/
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