Percussion Ensemble

Anthem for Winds and Percussion by Claude T. Smith Arranged for Flexible Ensemble by Joseph Benjamin Earp The original of this arrangement continues to be one of Claude T. Smith’s most performed works. The opening theme sparkles with rhythmic energy and harmonic structure that never grow old. The Andante section is a beautiful contrast to the main theme occurring in neighboring sections. This flexible arrangement allows ensembles to perform the work with as few as thirteen musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound. *The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score. https://barnhouse.com/product/cts-8059-00/

Symphonic Variations on Amazing Grace (Flexible Ensemble) by Claude T. Smith Arranged for Flexible Ensemble by Joseph Benjamin Earp Amazing Grace is one of the most well-known spiritual songs known to date. Claude T. Smith cleverly created this band setting forming variations throughout. With Smith’s passing in December of 1987, this was one of the final works he produced. This flexible arrangement allows ensembles to perform the work with as few as fourteen musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound. *The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score. https://barnhouse.com/product/cts-8044-00/

Greensleeves by Claude T. Smith Arranged for Flexible Ensemble by Joseph Benjamin Earp Grade: 4 Time: 6:58 Series: CTS Flexible Ensemble Series Brand: Claude T. Smith Publications, Inc. Year: 2022 “Greensleeves” dates to the 16th century as a traditional English folk song. Claude T. Smith created a masterful setting of this timeless classic providing many solo opportunities and melodic interest throughout all the sections of the band. The use of standard and contemporary harmonies gives the listener a wonderful experience. This flexible arrangement allows ensembles to perform the work with as few as thirteen musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound. *The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score. https://barnhouse.com/product/cts-8043-00/

Symphonic Variations on 'In Dulci Jubilo' by Claude T. Smith Arranged for Flexible Ensemble by Joseph Benjamin Earp “Symphonic Variations on In Dulci Jubilo” promotes joy and celebration. ‘In Dulci Jubilo’ is Latin for ‘in sweet rejoicing’. The lovely choral beginning features the familiar carol “Good Christian Men, Rejoice,” and forms the groundwork for this unique setting of this timeless traditional Christmas carol. This flexible arrangement allows ensembles to perform the work with as few as thirteen musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound. *The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score. https://barnhouse.com/product/cts-8041-00/

O Come, O Come, Emmanuel (A Christmas Prelude) by Claude T. Smith Arranged for Flexible Ensemble by Joseph Benjamin Earp “O Come, O Come, Emmanuel” is a Christmas prelude originally commissioned by the Papillion, Nebraska Junior High School Symphonic Band under the direction of Kenneth A. Molzer. This widely popular song relates to Advent and Christmas. Claude T. Smith expanded upon the original hymn adding deeper musical interest to this already timeless classic. This flexible arrangement allows ensembles to perform the work with as few as twelve musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound. *The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score. https://barnhouse.com/product/cts-8042-00/?

Finale From A Rhapsody On Christmas Carols (Flexible Ensemble) by Claude T. Smith Arranged for Flexible Ensemble by Joseph Benjamin Earp Finale from “A Rhapsody on Christmas Carols” centers around a lively rendition of the widely known Christmas carol, Angels We Have Heard on High. This arrangement is a perfect opener, closer, or encore piece for a winter concert. This flexible arrangement allows ensembles to perform the work with as few as thirteen musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound. https://barnhouse.com/product/cts-8056-00/

Symphonic Prelude on Adeste Fidelis (Flexible Ensemble) by Claude T. Smith Arranged for Flexible Ensemble by Joseph Benjamin Earp This late 19th century Christmas carol, also known as “O Come, All Ye Faithful”, is a traditional favorite. Claude T. Smith masterfully crafted his arrangement of this cherished carol to form a symphonic prelude that continually pleases the performers and audience alike. This flexible arrangement allows ensembles to perform the work with as few as thirteen musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound. *The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score. https://barnhouse.com/product/cts-8068-00/

Chorale and Allegro by Claude T. Smith Arranged for Flexible Ensemble by Joseph Benjamin Earp “Chorale and Allegro” captivates the imagination with a solemn chorale. As this lush chorale closes, the mood quickly transforms into an energetic allegro section filled with excitement throughout. Claude T. Smith concludes the composition with intertwines the ideas from the allegro section with portions of the opening chorale leading to an enthusiastic ending. This flexible arrangement allows ensembles to perform the work with as few as thirteen musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound. https://barnhouse.com/product/cts-8022-00/